Philosophical Papers Journal of Department of Philosophy

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This journal is a yearly philosophical journal published by the Dept. of Philosophy, University of North Bengal. Philosophical Papers: Journal of the Department of Philosophy, welcomes contributions from all fields of philosophy. The editorial policy of the journal is to promote the study of philosophy, Eastern and Western in all its branches: Epistemology, Metaphysics, Logic, Ethics, Social and Political Philosophy, and the Philosophy of Science, Mind, Religion and Language. However, it would like its contributors to focus on what they consider to be significantly new and important. The contributions should, as far as possible, avoid jargon and the authour’s contention should be stated in as simple a language as possible.

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    Freedom as the Core of Art: A Sartrean Account
    (University of North Bengal, 2025) Poddar, Subhankar
    This article explores Jean-Paul Sartre’s conception of freedom and its integral role in artistic creation. In his seminal work Being and Nothingness, Sartre distinguishes between two realms of being — being-in-itself and being-for-itself. Sartre argues that consciousness, unlike objects, is inherently free because it can negate, reflect, and imagine alternatives. Freedom, for Sartre, is not simply a philosophical idea but a practical condition of existence that allows humans to define themselves. This freedom, according to Sartre, is what enables conscious beings to transcend the deterministic world of objects and engage in self-reflection, choice, and creation. Art, for Sartre, is not a mere representation or imitation of the world but a creation that reflects the artist’s subjective experience and freedom. It challenges traditional notions of art and instead emphasizes the active role of both the artist and the spectator in interpreting and giving meaning to the artwork. By engaging with art, the spectator participates in the process of creation, bringing their own freedom to the interpretation. Finally, the article shows how freedom is the foundation for artistic creation.
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    The Role of Media Ethics: A Philosophical Quest
    (University of North Bengal, 2025) Sharma, Reeta Kumari; Barman, Biswajit
    In today’s scenario the role of media as such plays a vital role to reconstruct and rejuvenate the society, community, country, and nation. In short it can be said that media is the mouthpiece of present generation. The media, at large, is spreading ever across the globe by leaps and bounds. Media in haste become more pervasive and in turn gain more influence. However, the general perception of media in many areas of the world is of a decline as far as ethical standards are concerned. This, in turn, creates a gulf between public and private life. Media of different forms, such as, print media, television, etc., is biased, unfair, and inaccurate in the sense of violating the codes of conducts. This is where the relevance of ethics. Media must be accorded by ethical rules and principles because media as a business enterprise deals with public. It has a great role in bringing harmony and integrity of the society. Unfortunately, media in these days’ work as an agent of the Government. When the Government of a country is corrupted and if media works at the hand of Government, it would bring a wrong signal to the society. Media must act with freedom and responsibility. The accountability of media cannot be set aside. Media is responsible to the society. The main strategy of my paper is to explore and examine with critical outlook the role and responsibility of media persons.
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    Sartre on Three Waves of Ethics: A Philosophical Reflection
    (University of North Bengal, 2025) Sutradhar, Tulika
    In this research paper, an attempt has been made to analyze Sartre’s consideration of morality by following his philosophical approach to human existence. Many thinkers have disdained to regard Sartre’s existentialism as a moral philosophy because of his negative analysis of human existence. Sartre himself promised in his Being and Nothingness that he would further work on morality and indeed he developed his moral thought gradually in his later writings. However, in various ways, Sartre has been criticized for his moral thought, particularly for his doctrine of the key concept of freedom. It is noticed from Sartre’s philosophical works that he has shifted his morality from one phase to another. His moral philosophy is divided into three major sections which are interrelated with each other. However, the subsequent versions are far more enriched than the previous ones. This article aims to explore the underlying insight of the transition from one ethical wave to another ethical wave with a critical outlook.