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End date: 2019Subject: search.filters.subject.Culture

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Now showing 1 - 6 of 6
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    Mahali Culture and Social Change in West Bengal
    (University of North Bengal, 2016) Soni, Amit
    Ethnographic study and analysis in Anthropology is the very base of anthropological researches in India and abroad. Mahali or Mahli is an artisan community involved in traditional bamboo craft. The present paper is outcome of ethnographic study and situational analysis of the Mahali tribe of West Bengal. An attempt has been made to present the indigenous Mahali Culture along with the socio-cultural changes in the changing modern scenario. Mahali people are master craftsmen and produce fine basketry along with doing labor work. Lots of changes are coming in the Mahali society and culture due to the impact of migration, acculturation and modernization. Their living standard is little bit uplifted by various tribal developmental programs and facilities provided in the Mahali areas, but still they are living in low socio-economic condition.
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    Role of Satras in the Spread of Art and Culture with Special Reference to Barpeta Satra
    (University of North Bengal, 2015) Goswami, Mridusmita
    The most notable characteristic of the neo-Vaisnavite movement in Assam is the Satra institution through which the faith was propagated and established. It may be monastic as well as semi-monastic in form. The importance of this institution lies in the fact that it is intimately connected with the Assamese society and it has become a part and parcel of Assamese life. The history of Vaisnavism in Assam cannot be treated without reference to the Satra institution. For the Vaisnavite movement in Assam the Satra institution plays an important role in the spread of Assamese culture and acts as an aid in making the Assamese society united. The Satra has been working as a center of various art forms, such as Literature, Drama, Song and Dance, Craft and Painting etc. The objective that has been formulated for the study was to know about the role of Satra institution in Assam. The study also tried to study the role of Barpeta Satra in the spread of art and culture. The study was based on both primary and secondary sources of informations.
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    Khas-kura Nepali and Cultural Consolidation in Darjeeling Hills: A Genesis
    (University of North Bengal, 2015-03) Ghosh, Sujit
    With the opening of Tea Industries by British tea planters gradually altered the racial composition of Darjeeling hills. Immigration of plantation labor hailing from Nepal had .been a major factor of the changing of racial composition of Darjeeling hills .. Multi-ethnic Nepali community became the majority people in Darjeeling hills. The preponderance of Nepali in Darjeeling hills, the Nepali or Khas-kura speaking people gradually conscious to unify and consolidate on linguistic basis. An attempt has been made to search the emergence of culture, literature and the process of cultural Consolidation of the Nepali or Khas-kura speaking people in Darjeeling hills.
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    Bengal-Bihar Merger Movement of 1956: A Glance of West Dinajpur, A District of West Bengal
    (University of North Bengal, 2017-03) Ghosh, Arun
    The proposed study is on Bengal-Bihar merger movement of 1956, and the district of West Dinajpur of West Bengal. In the eve of independence of India and partition of Bengal in 1947, the northern part of West Bengal or North Bengal was separated from the rest of West Bengal. Along with this, there was demand of incorporation of Bengali speaking area of Bihar with West Bengal. In 1953, the States Reorganisation Commission was formed to examine this issue on linguistic line. After forming that Commission, West Bengal put forwarded memorandum, claiming partition of land of Bihar. But there was protest in Bihar against that. Then the Chief Minister of West Bengal and Bihar decided to merge Bengal and Bihar. But movement started against this merger proposal. Then they withdraw the merger proposal and a portion of land of Bihar added within West Bengal by the recommendation of States Reorganisation Commission, which effects on demography, economy, culture of that area of West Dinajpur district of West Bengal and which evoked separatist trend in form of political movements.
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    Understanding the Interface Between Multiculturalism and Postmodernism: A Nietzschean Perspective
    (University of North Bengal, 2015) Roy, Saikat
    Postmodernism with its deconstructionist position denotes a shift of hegemonic intellectual paradigm positing the transition from one cultural context to another. Such a shift is always characterized by transformation of cultural codes and systems of values expressed in changes of cultural, religious norms, outlooks on micro and macro levels, that is, social, political, ideological as well as personal, etc. The component of the postmodern program is seen in the multicultural project, assuming the creation of a global community with a set of cultures which has the right to existence and should cause respect. Multiculturalism of the nineties draws its most important concepts from the postmodernist thought, which in turn ultimately stems from Friedrich Nietzsche’ philosophy. He cherished multiculturalism and postmodernism from the value-standpoint and primarily focused on the cultural relativism. The contention of this paper is to investigate and analyse the interface between these two ideological paradigms from a Nietzschean perspective.
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    Rethinking Kosli Identity: Language, Literature and Culture of Western Odisha
    (University of North Bengal, 2018-03) Kumar, Tila
    Western Odisha’ once upon a time, formed a part of the ancient Koshal kingdom having its distinctive history, culture and unique salient features. The proponents of the separate Koshal state movement which is going on in the western part of Odisha have been mobilizing people and spearheading their movement along such a historic path so as to bring back their golden past and to preserve, protect and promote their rich cultural heritage. The people of western Odisha living in as many as eleven different districts not only ascertain their common ancestry but also share their common fate of being backward and underdeveloped due to ‘internal colonialism’ including state apathy and ‘coastal conspiracy’. Nevertheless, they are struggling and mobilizing forcefully to deconstruct their stigmatized identity and asserting today a unique ‘Kosli identity’, which is increasingly being recognized world over. And it is this ‘Kosli identity’ - which the leaders of the Koshal movement are using to garner people’s support and galvanize Kosli consciousness and ‘Kosli nationalism’ - the emblematic chord of the demand for a separate Kosal state. It is, therefore, that we discuss in the present article, some of the significant markers of what constitute Kosli identity in terms of a) Kosli language and literature and b) Kosli culture.